1) Ready for the World has a “Millenium Collection”?
2) This song is dirtier than I remembered; and
3) Is anyone ever really ‘ready for the world’? #FridayNightThoughts
Back in the Day
Full Circle 1982
Sixth Grade Saturday Mornings
Hey Hey
In Defense of Baked Goods
I had not given Hostess Bakery much thought in many years, until the announcement of their recent demise. Even then, however, my thoughts did not turn to sugary goodness, but to the realization that, without Hostess, there will be an entire generation of college kids to whom the following pop culture reference makes no sense — my favorite band name of all time: “Breakfast Bake Shop”.
I only knew one of its members in a tangential sort of way, but my understanding is that the name was appropriate on all levels. If you keyed in on the ‘bake’ portion of that name, you’d be right. They were not referring to Hostess fruit pies.
Keep in mind that this was the early 90’s in Seattle, when you were in the minority if you were not in a band. These were the days of house parties, when word of the party was spread the old fashioned way (flyers! telephone poles!). You bought a keg cup for $3 (sometimes free if you were a girl), and if things worked out well for the hosts, the party covered the costs of the kegs and provided seed money for the next one.
I was friends with some guys living in such a party house — actually, two different houses over the years, with a rotating cast of roommates. Parties at Amityville and The White House were a regular weekend occurrence. Often, bands would play at these parties….. haphazard bands with names like Celibate Twist and Breakfast Bake Shop. I’m fairly certain that most of these bands never played a gig anywhere other than their buddies’ houses, but that was OK.
My memories of those parties, I’m sure, have morphed over the years. They have taken on a mythical quality, and I am keenly aware that they are best viewed in the rosy glow of hindsight. My memories exist in snippets, in hazy vignettes. A beer-soaked floor that your feet stuck to. Steam rising from sweaty bodies in a crowded, dark room. A muddy basement, the floor above us bouncing in synch with pounding music and feet. Watching my friend, a Cure fan, joining a band on stage and singing “Just Like Heaven”. On a different night, watching a band side-stage, leaning against the amps with my friend, who was dreamily eyeing the striped shirt-clad drummer. She was into drummers. I’ve always been more of a guitar girl.
I couldn’t tell you what kind of music Breakfast Bake Shop played, or whether they had any original songs. I just remember dubbing their name as my favorite, which was no small feat. Bands were everywhere, each striving to have a name more clever than the next. Reading the “What’s Happening” column in The University of Washington Daily was a must, not because we intended to go and see those bands, but in order to see their names. I have it on good authority that writers at The Daily would often make up names of bands that didn’t actually exist.
Once, as a full grown adult in a fit of nostalgia, I ate a Hostess Twinkie. It was awful. The creamy filling was nothing like I had remembered it. Just like those parties, I suppose it should have stayed in the past as a tasty memory.
Even now, in the post-Hostess era, my husband I still declare it when we think something would be a good band name. But I always forget to write them down, so if I ever started a band, I don’t have a list to work from. And besides, I don’t think I could do any better than Breakfast Bake Shop.
Talking to Tweens about Sweat
“Sorry, I can’t pay attention to what you are saying right now. Wait until the slow jam is over”.
I think in some ways we both were not sure it would really happen, but we did it — we made it out of our houses on a rainy Friday night, which is a feat unto itself. Not only that; we made it all the way to Tacoma! We arrived at the casino/venue, ate a dinner of fried food and drank bad wine while we took in the scene. The crowd was 90% ladies, which was not a surprise. However, we also learned during the course of the evening, that, in addition to still being a master of the slow jam, Keith was also the purveyor of a book on relationships, and has a dating website. And, if we had happened to momentarily forget about the book or website, fortunately there were several reminders throughout the show. So that was a relief.
For the lucky ladies near the front of the venue, there were abundant opportunities to join Keith on stage for the purpose of serenading and/or public adoration. One concertgoer seized her moment, grabbing the mic and letting us all know how she felt about Keith, yelling, “I’LL SUCK YOUR BALLS OFF!!”
In the end, Keith must not have been too offended by the Pacific Northwest concert crowd. My friend emailed me recently with news of another upcoming show at the casino: “He’s baaaaaack……”
Inside Right Wrist (or Navel), Please
I was in a really good mood today. The world seemed bright, I had extra energy and a creative spirit. On paper, it made no sense. I got home late last night from a show at The Crocodile (Chad Stokes, better known to me as the “Barefoot Musician in Your Living Room”.) I got up early and got two kids out the door to school. I should have been exhausted.
Lawerly obligations were on the calendar today, so I put on a suit and met with a potential client. I gave good advice. Every so often, I looked down and noticed the fading stamp on my inside right wrist from last night’s show at The Croc, and it made me smile.
It reminded me of when, in the mid 90’s, my sister and I thought it would be a good idea to get our navels pierced. It hurt like hell and, not being the half-shirt type, I don’t think many people ever knew that I had it done. I was a new lawyer at the time, and it felt like my own private rebellion against navy blue suits and deposition transcripts. I got it taken out when I was pregnant with my oldest child, years later. (The guy asked why I was getting it removed. Apparently my about-to-pop belly wasn’t enough of a clue. He said, “hey, come back after you have the kid, and I’ll put it back in for free”. Alas, I have not returned.)
John Richards of Seattle’s beloved KEXP recently described music as “oxygen”. Perfection. I can’t describe it any better than that. If you don’t understand the lure of live music, you will never get it. But that’s why I was energized today. Music fuels me.
We all wear many hats on a daily basis, with day jobs, obligations and lists. Even when you love what you do, shouldn’t you grab a little extra fuel when you can? A little hint of something that energizes you (peeking out from the edge of your jacket sleeve) can go a long way.
Stevens Tigers Days
Garage Regret, 20 Years Later
Twenty years ago when Kurt died, I was in law school and living in Tacoma. I recall driving down the hill on my way to work, towards Commencement Bay, and hearing it on the radio. The sky was blindingly blue – one of those crystal clear, early spring days when it seems like it should be warm outside, but isn’t. It wasn’t yet confirmed to be Kurt, but of course everyone knew it was. My stomach dropped, and I very clearly remember thinking that it was too beautiful of a day to be lying dead in a room above a garage.
As the weeks (and years) went on, regret loomed. As a music lover and Seattle resident since 1988, I am almost embarrassed to say that I never saw Nirvana play live. I had plenty of opportunities, including the infamous “Four Bands for Four Bucks” shows at the UW Hub while I was in college there. I had a friend who sported a Nirvana sticker on his VW bug long before “Nevermind”. He saw them plenty of times. At the time I remember considering him somewhat of a slacker, but now I think he’s a goddamn genius. I graduated, moved to Tacoma for law school, and a Nirvana show just never seemed to work out for me. I barely remember that I once had access to a ticket, and then couldn’t go, for some reason which must have been important at the time.
I took my kids to the EMP recently, and we toured the Nirvana exhibit. They enjoy music and of course know about Nirvana, so they were interested. They listened to my stories as I pointed out the great artifacts and pictures in the exhibit. This was my time, my youth, my Seattle. I was excited to show them. But at 9 and 11, my kids lack the emotional connection that I have to that music, to that slice of history. Plus they don’t understand that parental reaction of – “20 DAMN YEARS! FUCK! HOW DID THAT HAPPEN? HOW is it POSSIBLE that I can remember that time so vividly, and now in the blink of an eye it’s 20+ years later and I’m looking at all of this stuff, IN A MUSEUM, with two tweens, and wiry grey hairs poking out of my head?”
I realized instantly that, for me, the EMP’s Jimi Hendrix exhibit was the mirror image. I like his music, and I appreciate the impact he made, but I don’t have an emotional connection to that time. I toured the exhibit politely, but I didn’t have earnest stories or reactions to the displays, like the people nearby, 20 years my senior, who had lived through his music.
And that is the cyclical nature of things, of course. On the huge screen in the Sky Church down the hall, a Macklemore video played. People gathered and watched. My kids ran down the hall to see. I had taken my 11 year old to see Macklemore & Ryan Lewis in concert back in December. It was my son’s first “real” concert, and he had a blast. I did too. Our evening was precious to me in the way that only a lover of live music can understand. (And I feel I’ve properly set him up for the “what was your first concert?” discussion down the road. Mine was Night Ranger….not exactly the same). Truthfully, I wanted to see Macklemore as much as my son did. He feels like a Seattle artist whom you ought to see when you have a chance.
So I’m trying to do better on the regret front, at least where my kids are concerned. I let them skip school and took them to the Seahawks Super Bowl victory parade in February, mainly because I figured they will remember it in 20 years, a lot more than anything they would have done in school that day. You know – kind of the opposite of thinking about an elusive Nirvana ticket, and not being able to remember why you didn’t go.
Even Sadder Than a Wedding Dress in a Thrift Store….
….it turns out, is a mix tape in a thrift store. I never realized this until I found a stack of them at my local Goodwill. I was intrigued by the one called “Wedding Music/Favorite Love Songs #1″, so I picked it up (What happened?! Was the wedding cancelled?). I glanced at the list of songs only long enough to see Mariah Carey well-represented, but then I felt compelled to put it down. It was too much like reading someone’s diary. I couldn’t do it.
Ah, mix tapes. Our kids will never know the magic of a mix tape. They will craft digital playlists, I’m sure. But nothing so time-stamped and permanent as a mix tape with their handwriting on it.
I freely admit that I am a sentimental hoarder. I’ve got all of my old tapes, even my earliest mix tapes made with my sister and cousin (if you can really call them mix tapes… really it was just us talking into a Panasonic tape recorder, telling stupid stories and singing songs).
Another gem is the “Workout Mix” tape that I made in college, with appropriate-tempo songs for a routine of exercises. Given that it was 1989, of course the lineup included INXS, Prince, and Neneh Cherry. The last song, the “cool down”, was – what else – “Nite & Day” by Al B Sure.
Then there was the mix tape trilogy made for a post-college road trip (“Driving Tape #1, #2, and #3”, of course.) Number 1 has got you covered with your basic R.E.M, Pearl Jam, and U2, with some Naughty by Nature thrown in for reasons I don’t recall. Number 2 was the mellow tape, with Luther Vandross and Johnny Gill – you know, for when the road asked you, “come on, let’s bring it down now….”. Number 3, sadly, is no longer with us. But it’s quite possible that it contained country music.
My favorite mix tape, though, is one that my long-distance boyfriend sent me in college. Oddly enough, I only remember one song on it – “Cars that Go Boom”, by L’trimm (wasn’t he romantic?). But what I love about that tape is that, inter-mixed with songs, my boyfriend talked about what was going on in his apartment, or what he was studying. He introduced each song like a DJ. “Cars that Go Boom” reminded him, he said, of me and my best friend/roommate (were we like “Tigra & Bunny”?). I haven’t listened to the tape since then, but I love the idea that his 1989 voice is preserved on it. I can’t even remember what his voice sounded like then. I’m saving the tape like a fine bottle of wine. Someday the time will be right, and he and I will listen to it with all the reverence it deserves (through a series of twists and turns, we ended up getting married years later.)
I really hope that the mix tapes I made for others never made their way onto a thrift store shelf (in the garbage = fine!). And now I’m feeling like I should have purchased those thrift store mix tapes and given them a proper burial. I need to think more about that one. As should you — what mix tapes do you treasure, and what mix creations of yours might still be floating around out there?
In the mean time, though, welcome to McMahon Hall, and enjoy the mellow grooves of Al B Sure (closing your eyes and pretending that it’s on a cassette tape, of course).






